This issue of Anarchist Developments in Cultural Studies considers the anarchist milieu in the ten years since the attacks of September 11th, 2001 (hereafter "9/11"). A host of obvious questions accompany an attempt to encapsulate an event such as 9/11 and the ten years that followed, foremost among them: Why situate 9/11 as a date of exceptional importance? Does a reflection of this kind merely contribute to, for example, neoconservative attempts to enshrine 9/11 as a propagandistic tool? Memorialization often carries reactionary politics, whether intentional or not.
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This issue of this magazine - always pretty - is on experimentation. It features an evaluation of how activists targeted an animal testing corporation (HLS); a photoessay on Swedish anarchists who - as a result of losing a squat - built a social center; what appropriate support is for "communities of resistance"; a report from student strikes and riots in Colombia; and an analysis of the past decade of anarchist organizing in NYC.
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This edition of this long-standing bastion of the post-left includes some surprising entries, including a review of a book I never thought of in relation to anarchy, Hustlers, Beats, and Others (now updated) by Ned Polsky, a personal favorite of mine when I read it 20 years ago.
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This issue (#64) of Anarchy: A Journal of Desire Armed has as its theme that most pernicious of all enemies, Capitalism. In particular the relationship that anarchists have with capitalism; rhetorically opposed but practically ambivalent.
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The Democracy Bites issue - being articles and arguments about why appeals for democratic processes are not what anarchists ought to be striving for.
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Anti-imperialism as an ideology, the best translation of Call for a u.s. audience, and Barry Pateman on anti-Franco activism after the Spanish Civil War, are the three main essays in this issue of Anarchy
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"life and times of Anarchy Magazine, part 1" by Jason McQuinn, feminism and anarchism by Dot Matrix, review of Debord's Panegyric by Aragorn!, etc.
This is the first issue produced by the crew in the California bay area. It reflects their inexperience with layout and design, as well as their enthusiasm and fresh blood.
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